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A Special Project: Sri Lalitha Sahasranama In Context - By Aravindan Neelakandan

Arush TandonSep 25, 2022, 08:34 PM | Updated 08:41 PM IST
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(A Durga murthi from a puja pandal in Kolkata, file photo)

A Thousand Names! Some time back, my senior colleague Aravindan Neelakandan, had embarked on a project to research and write on the names of the Goddess as mentioned in the Sri Lalitha Sahasranama

  • As we step into the nine glorious days of Navratri, we're sending you a sharp summary of select explanations of the devi's names - one every day, starting today.


- Arush Tandon, Asst Exec Editor


A painting of Hindu goddess Mahadevi from India (Rajasthan, Bikaner)

Ragaswarupa-pashadhya—the one holding the noose of desire. That is the eighth name of the Goddess in the Sri Lalitha Sahasranama.

It is among the most meditative and delved-upon names of the Goddess because even while it is an exploration into the human psyche, it is also a description of how the same psyche can be used as an instrument for a spiritual ascent.

The meaning behind the meaning: In the hands of the Goddess, even desire becomes a medium for mortal beings to effect an upwards spiritual journey to realise Her.

  • The word Raga here is used in the same sense as used by Patanjali in his Yoga Sutra—to imply attachment/desire and the karmic memories formed as a result of attachment.

  • Raga in this sense is taken to be one amongst the five obstacles to Self-realisation.


  • Further, with her blessings, the raga of mortal beings can be sublimated; i.e., for one who has realised the Goddess, even attachment to materialistic things will not bring karmic memories and nor will it lead to more feelings of attachment.

  • In the hands of the Goddess, even an all-powerful feeling like desire undergoes a transformation.

  • The core of the meaning: With the blessings of the Goddess, what may originally be an impediment, becomes a force through which one can reach Her.

    Adapted from Aravindan Neelakandan's article.


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